Li Runde is currently a national first-class artist, a special national ceremony artist in Zhongnanhai National Ceremony Center, a member of Calligraphers Association of Central State Organs, a special art consultant in cctv-3 Avenue of Stars column group, a senior consultant in painting and calligraphy of Chinese Calligraphers Organizing Committee, an academician of China Century Dacaifeng Painting and Calligraphy Institute, a famous international artist invited by Chinese brand art card, and an associate researcher of New Silk Road International Painting and Calligraphy Institute. Member of China Couplet Association, Art Consultant of Academic Committee of Chinese and Foreign Celebrity Art Research Association, Art Consultant of China Local Art Association, and awarded the title of Master of Chinese Folk Intangible Skills.
In the 2018 Chinese Painting and Calligraphy Annual Large-scale Network Painting and Calligraphy Exhibition, he was named "the most innovative artist in China". In January, 2018, the Federation of Chinese Literary and Art Circles was awarded the honorary title of "A Master of Painting and Calligraphy". 2019 works were selected into the National Conference of Baijie Gifts of Chinese Painting and Calligraphy. In 2019, he was awarded the honorary title of "People's Meritorious Artist" in the 70 th week of the founding of the People's Republic of China. In April, 2019, he was awarded the honorary title of "Master of Painting and Calligraphy" in the database of cultural and artistic talents of the Ministry of Culture. In July, 2019, he won the remaining prize in the joint exhibition of the 70th anniversary works of He Jianguo, a famous Chinese calligrapher and painter of the times, and was named as an outstanding artist of the new era. In October, 2018, the works won the "First Prize" and were awarded the honorary title of "Pioneer Artist for the 40th Anniversary of Reform and Opening-up" in the large-scale online painting and calligraphy exhibition in which the famous pioneers of painting and calligraphy celebrated the 40th anniversary of reform and opening-up. In July 2019, the Hungarian Painting and Calligraphy Invitational Exhibition of Sino-European Cultural Exchange was awarded the "Cultural Messenger of the Establishment of Diplomatic Relations between China and Hungary". Calligraphy works in May 2019 were collected by the Ministry of Foreign Affairs of the People's Republic of China. 2019。 In July, his calligraphy works were collected by the National Museum of China.
When it comes to kungfu, both martial arts and literary kungfu need the real strength gained by practicing in summer and in winter. Practicing calligraphy is similar to practicing martial arts. You can't afford to put on airs. There is no way to take shortcuts. There is a very obvious judgment when viewing the calligraphy works of Mr. Li Run, a calligrapher who is a powerful calligrapher and a calligrapher who has gained real calligraphy skills after a long period of practice.
Whether there is calligraphy kung fu or not, there is no need to talk east and west. It's useless to talk. It's important to see how regular script is written first. Regular script, as a book deeply branded with the seal of traditional culture carrier, can't be written, and can't be written well! Mr. Li Run's regular script is not only well written, but also well written, which is a model of no deceit. Exquisite brushwork, rigorous structure, tight inner palace and free outreach. The phenomenon of not practicing regular script in contemporary book circles has almost become a bad habit. Some calligraphy practitioners who are willing to take chances feel that regular script is not easy to practice, and it is difficult to make achievements without decades of effort. They simply don't write regular script, and go straight to make wild grass. On the surface, they write while dancing, but it seems that there is no muscle and bone in detail.
Mr. Li Run's regular script has the background of double repair of inscriptions. He is good at finding character from monuments and drawing charm from posts, so he writes with special vigor and spirit. Take the risks of European style in brushwork, and use the pen flexibly. Liu Ti's body shape is correct, and his body is stable. He pondered Tang Jie's various bodies, so his bones and muscles are intact, and his charm is not lacking. He wrote regular script with the idea of running script, and his strokes and paintings were not blocked, but connected by meridians, with the activity of breath communication. In other words, his regular script is not like an operator's flush from top to bottom, nor is it left and right flush without change, but the painting is more changeable, and the pen and ink produce wonderful expressive force. This kind of active regular script avoids the printing tendency of regular script, and makes regular script still be built in the calligraphy system with unique attributes, which is very pleasing to the eye.
Of course, to further experience Mr. Li Run's calligraphy, we should not only enjoy regular script, but also focus on his cursive works. It is difficult to create grass in contemporary art circles. If writing is too regular, it is easy to be regarded as a book slave; if writing is too modern, it is called a Jianghu. Therefore, it is very important for contemporary cursive script to seek harmony between inheritance and innovation. If this degree is not well grasped, cursive writing often fails, and it is difficult to write excellent works of contemporary calligraphy appreciation.
Mr. Li Run, who is engaged in cursive writing, is very concerned about the honing of the traditional style of cursive writing. Therefore, he has tried to figure out the traditional style of calligraphy, such as 17 posts, 1000 characters, self-narrative posts, four posts of ancient poetry, Shu Su posts, etc., and gained the ancients' superiority. After personal book brewing, he has achieved his true method of cursive writing, and his ability to inherit the traditional style of calligraphy is not only strong, but also his practical ability is outstanding. His cursive calligraphy takes the path of thin and hard to see the spirit lines flying, and the basic testimonies come from the cursive script of Huai Su, which says "Better than thin", writing front must come and go, pen and ink should be reconciled, and iron points and silver hooks should be made, and Fiona Fang should prepare for it! This is the nourishment in calligraphy drawn from the traditional calligraphy.
Secondly, his cursive calligraphy also has the innovative kinetic energy that pen and ink should keep pace with the times. He is sensitive to the phenomenon that contemporary calligraphy aesthetics emphasizes the beauty of lines, and attaches great importance to the expressive force of cursive lines. Thick lines are freehand in freehand brushwork, while thin lines show Luan dancing snake, which is high and low. Compared with the length, calligraphy lines are like the image of all things, which is quite wonderful. Therefore, with the double blessing of speed and strength, thousands of calligraphy can be swept away in a moment, and the cursive calligraphy can be written in a boundless way, which is very suitable for the needs of contemporary aesthetics. This is an important reason why his calligraphy is very kung fu and famous.
Write the true kung fu of calligraphy. When it comes to kung fu, Mr. Li Run also has an exclusive calligraphy skill, that is, his second book is written with great momentum. Breaking the big characters, penetrating the paper, making the pen strange and writing the list dry! Put down the writing in the big place, clean up the small place, and write the second list as wonderful as Huashan Mountain and Taishan Mountain. This skill of calligraphy is also unparalleled, which makes people feel happy!
Director of Confucius Art Museum: Jiang Jiliang