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环球风云人物崔体创始人崔元泽传承人崔龙俊一英国每日镜报专题报道

胸怀千秋伟业,恰是百年风华,与奥林匹克一路去同行,从2008年北京奥运会,到2014年南京青奥会,再到2022年的北京冬奥会与2023年的中国奥艺会,中国与奥林匹克的四次“约定”,充分彰显了奥运会坚定的参与者、奥运会精神积极的践行者的大国担当。百年余来,现代奥林匹克运动历经风雨,砥砺前行。在全球疫情共克时艰的当下,艺术文化越发成为跨越国界的重要纽带。在北京冬奥会即将来临之际,期待着更多艺术家携起手来,百花齐放,举起象征团结与希望的火炬,为中国文化写下一页又一页华彩篇章。

Bearing in mind the great cause of the future, it is a century of glory to walk with the Olympics. From the 2008 Beijing Olympic Games, to the 2014 Nanjing Youth Olympic Games, to the 2022 Beijing Winter Olympic Games and the 2023 China Olympic Games, the four "agreements" between China and the Olympics fully demonstrate the great country responsibility of the firm participants of the Olympic Games and the active practitioners of the Olympic spirit. For more than a hundred years, the modern Olympic movement has gone through wind and rain and forged ahead. At a time when the global epidemic is overcoming difficulties, art and culture has increasingly become an important link across national borders. As the Beijing Winter Olympics is approaching, we look forward to more artists joining hands, letting a hundred flowers bloom, holding up the torch symbolizing unity and hope, and writing colorful chapters for Chinese culture page after page.

 

书法大家崔元泽传承人

Calligraphy master Cui yuanze inheritor

崔龙俊一书法大家崔元泽传承人。1970年1月生于黑龙江省密山市书生门第之家。从小跟父亲学习书法,特别是父亲学习欧阳中石1985年创办的《中国书画函授大学》1985年-1989年4年中精通书法全部课程。理论联系实践刻苦钻研!参加鸡,密,虎书法大赛中获得《—等》奖。上大学时担当学校书协主席。崔龙俊老师北大终身书法客座教授。英国《皇家艺术学院》名誉教授。中国老子、孔子艺术学院客座教授。亚太艺术博物馆客座教授。国际学术研究院客座教授。现任:中央国家机关书法家协会员、中国书法家协会会员、首都书画院理事、国家一级书法师、《建党百年德艺双馨一人民艺术家》、建党百年《人民网》报导书法家。

润格:一平尺6万,老子同道会书画院副院长,中国东方文化研究院国学传承委员会书画院副院长,中国八一书画院东北分院副院长兼常务理事等职务。吉林省省会议中心A座悬褂唐代李白《将近酒》(235×185cm)。上百家国内外媒体报道:中国新闻联播,中央广播电视总台文化频道,中国艺术家数据库网,新华网新闻书画信息网,北京新闻,中国书画网,环球时报网,华尔街日报网,中外网,全国两会报道,国际时报网等!受到媒体的支持和赞扬。说明中国的传统文化欧阳中石,崔元泽,崔龙俊3代人生生不息传承,源源流长,代相传后继有人!艺术家为实现中华民族伟大复兴中国梦而奋斗!

父亲起登几十家国内外媒体报道。如:8尺《沁园春雪,三国演义开篇词》等上中央电视总台文化频道,新华网新闻书画信息网,中国新闻联播网,中国艺术家数据库网,北京新闻,环球时报网,华尔街日报网,中外网,新闻网央广热线等!受到各家媒体的支持和赞扬!这说明中国的传统文化欧阳中石,崔元泽,崔龙俊3代人生生不息传承,源源流长,代代相传后继有人!艺术家为实现中华民族伟大复兴中国梦而奋斗!

Cui Longjun is a great calligrapher and inheritor of Cui yuanze. In January 1970, he was born in the family of scholars in Mishan City, Heilongjiang Province. He learned calligraphy from his father since childhood, especially from the correspondence university of Chinese calligraphy and painting founded by Ouyang Zhongshi in 1985. He was proficient in all courses of calligraphy in the four years from 1985 to 1989. Combine theory with practice and study hard! He won the first prize in the chicken, secret and tiger calligraphy competition. When I was in college, I acted as the chairman of the school calligraphy association. Cui Longjun is a lifelong visiting professor of calligraphy at Peking University. Honorary professor of the Royal Academy of art. Lao Tzu of China, visiting professor of Confucius Institute of art. Visiting professor, Asia Pacific Museum of art. Visiting professor of the Institute of international academic research. Currently, he is a member of the calligrapher Association of the central state organs, a member of the Chinese Calligrapher Association, a director of the capital painting and Calligraphy Academy, a national first-class calligrapher, a people's artist with both virtue and art in the centennial of the founding of the party, and a calligrapher reported on the people's network in the centennial of the founding of the party.

Runge: 60000 square feet, vice president of Laozi tongdaohui calligraphy and painting academy, vice president of calligraphy and Painting Academy of Sinology inheritance Committee of China Academy of Oriental culture, vice president and executive director of Northeast Branch of China Bayi calligraphy and painting academy, etc. Li Bai's "approaching wine" (235) of the Tang Dynasty hangs on the coat at block a of Jilin provincial Conference Center × 185cm)。Hundreds of domestic and foreign media reported: China news network, CCTV cultural channel, Chinese artist database network, Xinhua news, calligraphy and painting information network, Beijing News, Chinese calligraphy and painting network, global times network, Wall Street Journal Network, China foreign network, national two sessions news, international times network, etc! Supported and praised by the media. It shows that China's traditional culture, Ouyang Zhongshi, Cui yuanze and Cui Longjun, has been passed down from generation to generation, and there are successors! Artists strive to realize the Chinese dream of the great rejuvenation of the Chinese nation!

Father has been reported by dozens of domestic and foreign media. For example, 8-foot "Qinyuan spring snow, the opening speech of the romance of the Three Kingdoms" has been on the cultural channel of CCTV, Xinhuanet news, calligraphy and painting information network, China news network, Chinese artist database network, Beijing News, global times, Wall Street Journal, China foreign network, news network, CCTV hotline, etc! Supported and praised by various media! This shows that China's traditional culture, Ouyang Zhongshi, Cui yuanze and Cui Longjun, has been passed down from generation to generation and has successors! Artists strive to realize the Chinese dream of the great rejuvenation of the Chinese nation!

笔墨畅国运 书法传龙脉

——记著名书法家崔龙俊

父子两代皆是翰墨贤家者,晋有二王,羲献兹降;唐有大小欧阳,法度相传;宋有二米,皆善刷字。清有二何,绍基传庆涵,一门两书家!当代书坛父子相传的典范者为二崔是也!崔元泽师承欧阳中石大师,经由精研覃思,亦成为大师级的翰墨贤家。法传崔龙俊,不但精于书法规矩,而且书性超人,所以修成大江南北广有传颂的书法名家。

二崔远映二王,功在传承,绩由创新,是书法文化龙脉的时代铺陈者,也是崔氏一门谙习国学精粹的非凡见证!如今,崔龙俊先生上承家学,下传真谛,已经把崔氏书法惠推到了第三代!三代传人,后生个个可谓,虽然是初生牛犊,十几岁的少年,人人起笔落笔可以写成金书锦字!从这个角度来讲,崔龙俊先生不但是一位精极笔法特为真正的书法家,还是一位致力于笔墨复兴文化,弘扬国粹的文化功勋者!其书法润格6万一尺,价格的高段位,得到了市场的极致认可!

从书法的习成宽度上来看,崔龙俊先生诸书皆成,博涉多优,篆隶楷行草,样样法度精研,都写得出神入化,绝然是深师碑帖的结果!穷研篆籀,可以写就石鼓的圆厚饱满,也可以写成秦篆的铁线精神。隶书师汉家十碑,取法曹全碑的雅质,参意石门颂的苍劲,写的蚕头燕尾,左掠右挑,形神兼备。楷法取颜筋柳骨,写的是正大气象。行书师二王,晋代文人书法遂心应手的洒脱劲儿,也是一目了然,可以放心写手,写得是天质自然。草书贵有线条的塑造形神,可写飘风骤雨,亦可以做落花飞雪!

以上,是纵览了他书法的习成宽度。从书法创作的深度上来看,学者文人的修养,让崔友俊先生特别中意行书的研习创作!他的行书深度琢磨了文人书法刚柔相济的笔墨意象,写得微肉而多骨,是谓圣!作书之前,先研于墨,意在笔先,可以写凌空杀纸,一笔到位,是谓中流击楫,可以力透纸背。大有叩击山河的威然之仪,此谓刚则至坚!

又作笔锋一转,由刚转柔,写出了牵丝映带,如若鸾凤徘徊,漫漫铰转,正是约花分柳的臻妙气韵,此谓柔则致雅!其行书写得不激不厉,可以激楚浪以成文,这是师传了兰亭序、伯远帖的晋韵风格。其行书又写得伸缩得体,同自然之妙有,非力运所能成,很有赵子昂妙写重修三门观的萧雅状态!所以他习成书法,处处皆是取法为上的价值观,字字可见得法亦为上乘的磨砺真功夫。

笔墨畅国运,书法传龙脉。不写粗头乱服的江湖书法,也不写骄揉造作的展览书法,最有依书抒情的漓骊节奏,执笔于手,运笔在心,情与墨相和,笔与心相须,写出来的书法绝无久习法帖的拘泥匠气,自带笔墨当随时代的洒脱格局!这正是崔先生的书法在崔氏笔墨体系之内可以上承家学正宗,下传国运龙脉的重要原因!唯有致力于文化传播,唯有精彩于精神塑造,书法创作才可以像崔先生这样不负家学,可以助力民族文化复兴,成为书坛硕星!

著名央视书画评论家 史峰 2021年6月18日

Calligraphy spreads the dragon vein

—Cui Longjun, a famous calligrapher

The father and son of the two generations were both masters of calligraphy. There were two kings in the Jin Dynasty, Xi Xian and Zi Jiang; The Tang Dynasty has Ouyang, big and small, and the testimonies are handed down from generation to generation; Song has two meters, all good at painting. There are two calligraphers in the Qing Dynasty, Shaoji and QingHan! The model handed down from father to son in the contemporary book world is two Cui shiye! Cui yuanze learned from master Ouyang Zhongshi and became a master of calligraphy through careful research and thinking. According to the Dharma, Cui Longjun is not only good at calligraphy rules, but also has superhuman calligraphy, so he has become a famous calligrapher widely praised in the north and south of the river.

Second, Cui Yuanying and the second king, whose merit lies in inheritance and innovation, is not only the time teller of the dragon vein of calligraphy culture, but also an extraordinary witness for Cui's mastery of the essence of traditional Chinese culture! Today, Mr. Cui Longjun has inherited his family's learning and handed down the true meaning. He has pushed Cui's calligraphy Hui to the third generation! Three generations of descendants, all of them can be described. Although they are newborn calves and teenagers, everyone can write in golden calligraphy! From this point of view, Mr. Cui Longjun is not only a real calligrapher with excellent writing skills, but also a cultural meritorious person who is committed to rejuvenating the culture and carrying forward the quintessence of the nation! Its calligraphy Runge 6 square feet, the high price, has been the ultimate recognition of the market!

From the perspective of the width of calligraphy practice, Mr. Cui Longjun's books are all successful, and his extensive experience is excellent. His seal script is written in regular script, and his cursive script is carefully studied. All of them are superb, which is definitely the result of the inscription of the deep teacher! The poor study of seal characters can write the round thickness and fullness of stone drums, or the iron line spirit of Qin seal characters. The ten steles of Han family, the scribe, take the elegant quality of Cao Quan stele, refer to the vigor of Shimen ode, and write silk head and swallow tail, sweep left and pick right, with both form and spirit. Take the facial muscles and willow bones in regular script and write Zhengda weather. Wang Erwang, the running calligrapher, is a scholar of the Jin Dynasty. His free and easy calligraphy is also clear at a glance. You can rest assured that his writing is natural. Cursive script has the shape and spirit of lines. It can write wind and rain, or falling flowers and flying snow!

The above is an overview of the width of his calligraphy. From the depth of calligraphy creation, the cultivation of scholars and scholars makes Mr. Cui Youjun particularly interested in the study and creation of running script! His running script deeply ponders the pen and ink image of the combination of hardness and softness in literati calligraphy. It is slightly fleshy and bony, which is called holy! Before writing a book, you should study ink first and write first. You can kill paper in the air. One stroke in place means that you can hit a boat in the middle of the stream and penetrate the back of the paper. There is a powerful instrument to knock on mountains and rivers. This is called hard, but it is firm!

He also made a turn of the brush, from just to soft, and wrote a silk drawing belt. If the Phoenix lingers and twists for a long time, it is the wonderful charm of about flowers and willows. This is called soft and elegant! His running script is not fierce, but can stimulate Chu waves to write. This is the Jin rhyme style of Lanting preface and boyuantie. His running script is flexible and appropriate. It is the same as the beauty of nature, which can not be achieved by force. It is very similar to Zhao Ziang's Xiao Ya state of repairing the three door view! Therefore, when he learned calligraphy, there were values of taking dharma as the top everywhere. It can be seen that Dharma is also the best way to sharpen real kung fu.

Pen and ink make the country prosperous, and calligraphy spreads the dragon vein. It doesn't write Jianghu calligraphy with thick head and disorderly clothes, nor does it write exhibition calligraphy with arrogant kneading. It most depends on the lyrical Li Li rhythm of the book, holds the pen in the hand, carries the pen in the heart, the emotion and ink are in harmony, and the pen and heart are in need. The calligraphy written is by no means rigidly craftsman who has learned the Dharma for a long time, and its own pen and ink should follow the free and easy pattern of the times! This is an important reason why Mr. Cui's calligraphy can inherit the authentic family learning and the dragon vein of the national movement within the Cui's pen and ink system! Only by devoting to cultural communication and wonderful spiritual shaping, can calligraphy creation live up to his family's learning like Mr. Cui, help the rejuvenation of national culture and become a great star in the calligraphy world!

Shi Feng, a famous CCTV calligraphy and painting critic, June 18, 2021

 

 

作品赏析(Appreciative Remarks)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

崔元泽第三代书法传承人一杨烜宁(15岁)

 

崔元泽书法第三代传承人一姜欣彤(14岁)